She produced from the depths of her pride the ugly investigatory note of the modern district visitor. ‘Mad as hatters!’ ‘It is you who is mad,’ mademoiselle told him crossly. She was aware of people—her aunt, her father, her fellow-students, friends, and neighbors— moving about outside this glowing secret, very much as an actor is aware of the dim audience beyond the barrier of the footlights. Sheppard," continued Jonathan; "after we've disposed of Thames Darrell, I'll visit her in Bedlam; and, as I understand I form one of her chief terrors, I'll give her such a fright that I'll engage she shan't long survive it.
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